Objectively evaluating the quality of a mix is ​​not easy for most people, because it involves all aspects of knowledge and conditions, such as basic music literacy, good listening environment and equipment, for music expressions. Understanding and so on.
In many cases, it is not objective to judge the quality of a work, but the subjective will influences your opinion about the quality of the mix!
1. The influence of the quality of the previous material on the mix
Good early stage is especially important for late mixing. In the early stage, it includes simple sound pickup environment, sound pickup technology, sound pickup equipment, and singing. Later, it is a modification based on the previous stage. It is like a person who looks beautiful and gives birth to him. Mom and Dad are definitely not ugly!
Having said that, many people will say that they have done a good job in the early stage, but also the cognac of your later mix! ? I see who is the one who is so good, so good people can, you can't do it?
It’s not surprising that people who have this kind of view are all over the street. Most people who respond from the side are very superficial about the substance of the mix. (There is no need for the layman to understand so much. You can understand it yourself, vomiting blood).
For the mixer, dealing with problematic material is one of its many responsibilities, and it is absolutely impossible to understand that it should handle the problematic material. This concept is very important. Some commercial-level projects, usually the mixers will participate in many of the previous work, the reason is very simple, to ensure that all the materials are ok when starting work!
In addition, it should be noted that the example of being able to turn the decay into a magical one does not explain the ability of a mixer, but it can reflect the creativity of the mixer! Many times, things that are too junk are not picked up by the mixers. They have their judgment. Sometimes they are obsessed with feelings. They are embarrassed to refuse. They reluctantly agree to the next. The final compliment is definitely creativity. Something, such as cool sound effects, not sound quality, not singing!
2. The effect of monitoring equipment on judging the quality of the mix
The monitoring device is the device that restores the sound, and the result of the evaluation under good monitoring is more credible! For the most rude example, the same piece of work, listening to the speaker with a mobile phone, and listening with the sound, is definitely the effect of the sound is closer to the effect of the music itself!
3. The impact of the listening environment on judging the quality of the mix
The impact of the monitoring environment depends on more professional, even people feel that it is in the style, but here, the more people feel the sensational things, each of which is well-founded, such as the reflection of the listening space, the location of the listening speakers Distance, etc.
4. The influence of music literacy on judging the quality of the mix
Music literacy is important for judging the quality of a work. Some people think that the symphony is very elegant, and some people's recorded saliva songs are very resonating. All the reasons that lead to these people's different preferences are music literacy! So sometimes you feel good about the works that are good to hear. Sometimes you just think that it is a junk work. Some people can't put it down~
5. The influence of personal preference on judging the quality of the mix
You have what you like, I have what I like, this is not a contradiction, but it is an invisible obstacle to communication and judgment. For example, when I tell you that I think this mix is ​​very good, you may feel reverberation. Bigger will be better, or vocals will be better~
6. How should someone communicate when you ask for advice?
First of all, don't make a rash decision or not, because you may not know the specific material situation. Usually we will measure it by our own set of standards. This standard is formed by your accumulation for many years. Most of them come from the high-quality works you hear, so we will use high-quality standards to measure the mix of audition works. If there is a problem with the material in the mix, but you don’t know, you will deny others. Hard work may be rude!
To sum up, I personally think that everything in the art category is subjective and more objective than objective. Just as there are a thousand Hamlet in the eyes of a thousand readers, the mix is ​​just like this!
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